SOT: Blind Photographer - Scene 3 Aliya Vinay Opening Conversation: BT2C8785 (Anand Gandhi)

SOT: Blind Photographer - Scene 3 Aliya Vinay Opening Conversation: BT2C8785

Director: Anand Gandhi; Cinematographer: Pankaj Kumar

Duration: 00:05:20; Aspect Ratio: 1.778:1; Hue: 56.767; Saturation: 0.053; Lightness: 0.553; Volume: 0.054; Words per Minute: 83.854

Chapter 1: Blind Photographer

Scene: USED
Scene 3 Aliya Vinay Opening Conversation

Characters: Vinay, Aaliya

Shot Description:
Mid Close-up of Aida
skims over a touch-pad with a digital pen in conversation with Vinay

Vinay edges closer to her and kisses her forehead.

So sound is perceived at a speed that even the flapping of a fly's wing is audible. For at that time, time can actually be slowing down. He plays with her fingers. VINAY Do you know what'd happen if two people living together were to share two different concepts of time? ALIYA Umm, like a sphere stuck on a plane land, right? (chuckles) Struggling to make everyone understand what "up" means. VINAY Do you know I read somewhere that the male silk worm can smell a single molecule of pheromone. If I had an olfaction as developed, I wouldn't be able to stand your smell... ALIYA You wouldn't be able to stand your own smell with your frequency of showers per month. VINAY No but think of it alright. Even subtle differences like, would I think differently if I had smaller nostrils? Or would I have seen the world differently if I was taller or shorter? ALIYA Or would the world have been a different place if Gandhi was taller or Hitler was shorter? VINAY You know they have actually found a way to prove that reality exists when nobody is looking. ALIYA Well I think it exists and I am never looking. VINAY Bull shit! You're always looking. computer feedback 8-8-9-2-1-1-0-1-0-1-1-0-6-6-6-7-5-8-4-7-6-2-3-2-1-4-8-8-9-1-1-0... The pointer settles on a man's face - he is leaning out of an auto-rickshaw. aliya (O.S.) Is this the coughing man? VINAY (O.S.) Mm hmm. The pointer hovers over a panel in the software, searching for the right option. computer feedback Erase - Gradient - Colour - History - Audio. Pick-pick. Wand. Brush tool... Brush tool... She paints a semi - transparent layer of red over a part of the picture's left side, so that all she covers is a part of the cobbled street. VINAY (O.S.) Are you going to do anything about it? aliya (O.S.) Yeah. She cycles through the menu bar. computer feedback File... edit... image... Mode... adjustment... Duplicate... adjustments... Auto... adjust... Auto levels... auto contra... Brightness. VINAY (O.S.) What are you doing? She adjusts the brightness through a slider. CoMPUTER FEEDBACK Negative eight. Vinay (O.S.) Hmm... that looks nice. Vinay and Aliya are revealed with their backs to the camera at a partially left profile. Aliya is fair and medium built with wavy shoulder length hair. Vinay is darker, sports an unkempt stubble and has an unruly head of hair that is slightly shorter than his girlfriend's. They sit at a large table upon which a printer, a set of speakers and assorted stationery are visible. He has his arm casually draped over her shoulder. She lightly clasps his hand in response. aliya But which one do you like better ? This one or... ComPUTER FEEDBACK Edit... Undo. AlIYA ...this one? VINAY Show me again. ComPUTER FEEDBACK Edit... Redo. ViNAY Hmm... that looks better. Do you want the background so dark? aliya Yeah. Aliya processes a print of the photograph through an etching machine. She traces the texture and lines of the resulting etch with her finger - it's friction producing a crisp sand-papered sound.
Affection
Aida
Back
Behind
Digital Pen
Etching Machine
Home
Mid Close-up of Aida
Playful
Printer
skims over a touch-pad with a digital pen in conversation with Vinay
Smile
Tea
Vinay

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