Director: Kasturi Pattanaik
Duration: 00:14:49; Aspect Ratio: 1.778:1; Hue: 6.978; Saturation: 0.299; Lightness: 0.056; Volume: 0.118; Cuts per Minute: 0.135
Summary: The 4th International Odissi Dance Festival in 2011 was held from December 23 to 30, 2011, at Rabindra Mandap Bhubaneswar. The festival was preceded by an attempt to create a world record by having around 550 dancers perform together at Kalinga Stadium. It saw the participation of most major Odissi ensembles in Orissa and a few from outside the state. With performances for over twelve hours each day, the festival featured several hundred performers in solo, duet and group works over eight days. In its scale, the festival offered a bird's eye view of the landscape of contemporary Odissi and its ever-changing nature. It foregrounded new trends in choreography, music and costuming. The seminars during the festival sparked lively debates on issues and concerns in Odissi. One such concern, voiced repeatedly, questioned the definition of tradition within the space of the dance form and the limits it could be stretched to. This raised parallel questions about innovation and experimentation in Odissi - a debate that found itself mirrored in the performances during the festival.
The Sankalp performing arts troupe is part of Sankalp, a national nonprofit development agency in New Delhi. Kasturi Pattanaik, the programme director, was part of the first batch of Odissi Research Centre. She taught at Odissi Research Centre before moving to Delhi.
They perform a composition of Kasturi Pattanaik, thei ghara nata.
Kelucharan Mohapatra gharana
Thei Ghara Nata, set to Raga Maz Khamaj (Manjh Khamaj) and tala Triputa intercepted by Khemta, starts with the Surya Namaskar and combines elements inspired by the mahari, gotipua and bandha influences in Odissi and the movements of karanas taken from the Natya Sastra.