Director: Kelucharan Mohapatra
Duration: 00:11:02; Aspect Ratio: 1.778:1; Hue: 13.872; Saturation: 0.206; Lightness: 0.086; Volume: 0.135; Cuts per Minute: 0.453
Summary: The 4th International Odissi Dance Festival in 2011 was held from December 23 to 30, 2011, at Rabindra Mandap Bhubaneswar. The festival was preceded by an attempt to create a world record by having around 550 dancers perform together at Kalinga Stadium. It saw the participation of most major Odissi ensembles in Orissa and a few from outside the state. With performances for over twelve hours each day, the festival featured several hundred performers in solo, duet and group works over eight days. In its scale, the festival offered a bird's eye view of the landscape of contemporary Odissi and its ever-changing nature. It foregrounded new trends in choreography, music and costuming. The seminars during the festival sparked lively debates on issues and concerns in Odissi. One such concern, voiced repeatedly, questioned the definition of tradition within the space of the dance form and the limits it could be stretched to. This raised parallel questions about innovation and experimentation in Odissi - a debate that found itself mirrored in the performances during the festival.
Gita Govinda is a dance school set up by Kumkum Mohanty, one of Kelucharan Mohapatra's first disciples. The school is located in Bhubaneswar and trains young students in the guru shishya parampara, combining the study of dance with training in music and dance texts.
They perform Batu Nritya, the pure dance piece inspired by sculptures found in the Konark temple. This piece has been choreographed by Kelucharan Mohapatra and rearranged for performance by Kumkum Mohanty.